Odintsova’s education in the novel Fathers and Sons. Essay “Characteristics of Anna Odintsova

In 1983, another film adaptation of Turgenev’s novel was released - the four-part film “Fathers and Sons” with Natalya Danilova in the role of Odintsova. The film was shot by director Vyacheslav Nikiforov at the Belarusfilm film studio.

In 2008, a four-part film adaptation of “Fathers and Sons” was filmed by the director. The actress played the role of Anna Odintsova. Odintsova’s rich estate was filmed near Bryansk on Tyutchev’s estate, which has now become a museum-reserve. This is a large stone house with a colonnade in the style of Russian classicism.

In the film by Avdotya Smirnova, the scene of the explanation between Bazarov and Anna takes place in a room filled with Bohemian glass, fragile glasses and jugs. The rattling of thin glass emphasizes the tension of the scene and the fragile grace of the noble world, into which Bazarov bursts into like a bull in a china shop.

Quotes

“In my opinion, it’s all or nothing. A life for a life. You took mine, give me yours, and then without regret and without return. Otherwise it’s better not to.”

“There are a lot of memories, but nothing to remember, and there is a long, long road ahead of me, but there is no goal... I don’t even want to go.”

“You can’t live in a disorderly manner in the countryside; boredom will overcome you.”

In Turgenev’s novel “Fathers and Sons,” in order to reveal the ideological content, you need to pay attention to female images that will help reveal the idea and essence of the novel. The author introduces various images to show the diversity of human qualities and characters.

An individual hero personifies an individual human quality. For example, Fenechka personifies femininity, devoted, tender love; Bazar's mother is a symbol of devotion and maternal love; Katya is practical, businesslike, balanced; Kukshina – having no opinion; Anna Odintsova - intelligence, wealth, independence. The author pays the most attention to her image. And he describes it carefully.

Anna Sergeevna Odintsova evokes dual feelings: contempt and misunderstanding, pity and compassion at the same time. The first time we meet her name in the novel is not at the beginning. We learn about her from the lips of Mrs. Kukshina, who characterizes Anna as a pretty girl with an uncertain reputation. This is a beautiful girl of twenty-nine years old, a free widow. Her brief biography helps to understand how Anna’s childhood influenced her and how her previous life was able to change her current one.

She is reasonable, calm, decisive, indifferent. It is difficult to deceive her because she always looks at life objectively. Her present sober mind and practicality helps her in this. She knows what she wants: to live calmly, without letting anyone into her life, into her heart. She, accustomed to this way of life, does not want it to be disturbed even by Bazarov’s love. She does not want to suffer, for this reason her heart remains closed to everyone.

The question arises. Does Odintsova know about love and feelings? Turgenev, characterizing the heroes, answered this question a long time ago. No, Odintsova does not know about love. Anna doesn’t know how to live, how to love life, doesn’t know how to sympathize. She existed, but did not live. Her destiny is to be lonely. Baranov fell in love with Anna, trying to awaken her. She caused a storm of emotions in him and, frightened by this, pushed him away.

The image of Anna Sergeevna helps to ideally display the image of Bazarov. The ardent, romantic, emotional Bazarov has to suffer painfully thanks to these qualities that he despised in others. What irritated and outraged him in people turned his whole life and worldview upside down.

Odintsova will never know love, tenderness, the warmth of a hug, she will never know the happiness for which she must live and suffer. She deserves pity and sympathy. The meaning of the title and problems of Turgenev’s novel “The Noble Nest”

In many of Turgenev’s works, actions take place in his favorite “noble nests,” in which an atmosphere of experience lurks. One of these works was the novel of the same name – “The Noble Nest”.

The meaning of the novel is in the title. Why is it called “nest”? By the word “nest” the author means family, home, clan, a connection between generations that is not interrupted. Turgenev in his novel showed the violation of clan ties, which led to the extinction of generations related by clan. It shows that the “nests of the nobility” are dying out.

There are three plot lines in the novel: noble, peasant and, of course, love.

The noble line is visible in the author’s critical description of the genealogies of Lavretsky and Kalitin. Turgenev describes Lavretsky's pedigree as accurately as possible. Different periods of history are associated with their family. Lavretsky's great-grandfather, a landowner, was a very cruel man. He saw no one more important than himself. He could afford a lot. He did whatever he wanted: he punished men by hanging them by the ribs, he could flog all the villagers. The wild landowners are being replaced by a generation that has embraced culture. This is the frivolous Princess Kubenskaya, who is no longer young. She married young Ivan Petrovich, a Frenchman who was Lavretskov’s father. This is the story of the Lavretsky family. As for the Kalitin family, Turgenev is very critical of them. He shows this family as indifferent to their children. The main thing is that the children have something to wear and eat.

The peasant line is visible in the author’s stories about the Lavretskys, about the past of this family. This is shown in the form of the footman Anton and the old woman Apraxya.

The love line of the novel is shown in the relationships and feelings between Lisa and Lavretsky. Which, in order to create happiness, is hindered by a sense of duty. And even love is not able to change anything.

Describing family families, the author does not show an ideal Russia, but on the contrary, we see it as motley. Turgenev perceived the “nests” as the support of the country. For him, this place symbolized the concentration of Russian power and strength. But, alas, the “nests” collapse and fall apart. Also from the lips of the people, we understand that they are all washed with tears and human suffering.

Lavretsky’s mother became a victim of the “Nests of Nobles”. Having married a man who did not love her, she experienced the bitterness of betrayal. Another victim was Malasha, who died from separation from her son.

Turgenev in the novel addresses the future of Russia - the new generation. What prevented the love of Lavretsky and Lisa Kalitina? (Based on Turgenev’s novel “The Noble Nest”)

In the novel “The Noble Nest” Turgenev described a wonderful feeling - love. But this love was not only beautiful and tender, but also tragic.

Lisa Kalitina is a beautiful girl who captivated Lavretsky. There were wonderful feelings of tenderness, sympathy, and charm between them.

At first they hid these feelings from each other. After all, as you know, Lavretsky had a wife. His wife Varvara was the opposite of Lisa. She was not sincere, feigned, false, flattering. These qualities were alien to Lisa. She was the embodiment of kindness, love of truth, sincerity, and loyalty.

Lavretsky knew everything about his wife. And she didn’t love him. One day she left her husband and went to France. And Lavretsky’s feelings for Lisa grew more and more. And when the news reached him that his wife Varvara had died, he thought about his happiness with Lisa.

Liza also has all the best feelings for Lavretsky. Other men pay attention to her, they make marriage proposals to her. But how can she do this if her heart belongs to only one. And besides, she knows that this proposal is not sincere.

Lavretsky does not know how to confirm the death of his wife. He thinks for a long time about what to do and finally decides to confess his love to Lisa. He wants to be with her always, because they are kindred spirits, they feel good together. He comes to Lisa’s garden at night just to feel close. Lisa, dressed in a white dress, seemingly sensing the upcoming event, goes out to his garden.

But the whole idyll ends there. It turned out that Varvara was alive. She returned to her husband because she ran out of money. He feels a duty to his wife and stays with her. What will happen to Lisa? She ran away from her love to a monastery. No, she did not stop loving Lavretsky, she loved him all her life. And by the way, he always loved her. He grew old quickly and no longer saw any meaning in life.

One day they met. Lavretsky went to that monastery. Yes, they saw each other. Yes, their feelings did not cool down, but they did not show it. Lisa did not even raise her eyes, did not look at her beloved Lavretsky.

This love brought the heroes momentary pleasure and happiness, bitterness and torment for the rest of their lives. If only Lavretsky had not treated the concept of duty so fanatically, everything could have turned out differently. Perhaps if Lisa accepted marriage proposals, she would also become happy. Maybe their happiness should be apart from each other? Tolstoy Lev

The theme of the “common life” of the nation in Tolstoy’s novel “War and Peace”

Only in difficult trials is the strength of a nation tested. Most nobles do not always withstand such scrutiny. They are more interested in their own interests, which benefit only them, and not the whole people.

Tolstoy depicts the Great Patriotic War in his novel War and Peace. He describes the war not only of Napoleon's army, but also the war of the people against foreign invaders.

Napoleon's army does not know what moral principles are. They only robbed and destroyed. The Russian army did not bow to the French. The patriotism of the Russian people only increased. Even after the Battle of Borodino, when the entire army was lost, our soldiers did not give up or lay down their arms. Then Napoleon's army saw patriotic warriors who were ready for anything, who would stop at nothing.

The fact that Russian soldiers won this war is entirely the merit of the people. If it weren’t for his will and patriotism, God knows how it would have ended. The actions of the tsar, generals, and ministers did not really determine the course of the war. While the generals are stupidly feuding, the Russian army is dying of hunger.

Hospitals are overcrowded with patients, shops are empty, roads are impossible to walk...hunger is everywhere. Wars between an offended government are criminal. But this war was recognized by the Russian people. It became a people's liberation war.

The steadfastness, fortitude, courage of the Russian army, the heroism of the Russian warrior: all this expresses the idea of ​​patriotism in the novel “War and Peace.” Also, the images of Kutuzov, Bagration, Timokhin, Tushin emphasize and convey their patriotism, devotion to the people and homeland.

The Russian people are proud and independent, therefore, when the foot of Napoleonic army set foot on Russian lands, all these feelings awoke, the people were not afraid, did not submit and defeated the French enemy.

The author proves: the national feat was accomplished not according to a plan, but spontaneously, without consciousness. It was the patriotic feeling that guided the soldiers then. The people united, armed themselves with whatever they could and destroyed the enemy. It was a war waged by the people together with the army.

The "common life", which includes patriotism and unity of spirit, is the decisive factor in defeating the French army.

Dostoevsky Fyodor What brings Prince Myshkin closer to Rogozhin? (Based on Dostoevsky’s novel “The Idiot”)

Dostoevsky's novel "The Idiot" is built on the rapprochement of opposites. At first glance they are similar, but have many differences.

Myshkin and Rogozhin meet on the train. They immediately liked each other. You could say they fell in love with their opposites. After all, they were neither alike externally nor internally; their status was also different. Prince Myshkin is a representative of a noble family, Rogozhin is a rich heir.

At their first meeting, Rogozhin mentions the name of Nastasya Filippovna Barashkova, with whom he was infatuated. She will accompany the heroes throughout the novel.

Nastasya Filippovna is a retired officer. Nastasya has a very beautiful, expressive appearance. Everyone knows her as a shameless, corrupt woman. Totskaya's mistress, whom he wants to get rid of. Because of this, he wooed her to Ganya Ivolgin, who was offered money for this.

For the first time, Prince Myshkin saw Nastasya in a portrait. He was fascinated by her beauty. At Nastasya's matchmaking with Ivolgin, where the prince himself was present, Rogozhin appears and offers a ransom for the girl. In the “trade” between the suitors, Myshkin enters and ends it all.

The prince, enchanted by Nastasya's beauty, invites her to marry him. But girl

chooses Rogozhin and runs away with him. From now on, they become “slaves” of a love triangle: Rogozhin - Nastasya - Myshkin. They became brothers through unhappy love.

Nastasya Filippovna constantly runs from Rogozhin to the prince, and then runs again to Rogozhin. They are jealous of each other. But Nastasya does not leave Myshkin in peace even when he married Aglaya. Out of jealousy, she writes letters to her. When they met as “families,” Nastasya returns to the prince. They are preparing for the wedding, but just before the altar she runs away with Rogozhin again. And the previously ill prince (epilepsy) is looking for Rogozhin and Nastasya, but alas, she is already dead at the hands of her husband. Myshkin experiences this loss painfully and finally goes crazy.

And again Rogozhin and Myshkin are brought together by the bitterness of loss. And even if they didn’t really love Nastasya, they simply pitied her. But this love-pity led to the night spent over the “beloved corpse” and the death of their souls.

There are no boundaries between good and evil, sin and good deed. The categories of good and evil, sin and repentance are very close. At the beginning of the novel, Myshkin says: “It seems to me that we are such different people in appearance... due to many circumstances that we, perhaps, cannot have many points in common, but, you know, I myself don’t believe in this last idea, because I really often it just seems like there are no common points, but there are..." Chekhov Anton

The image of Odintsova in the novel “Fathers and Sons” plays a frankly supporting role. He appears in the plot in order to highlight the spiritual qualities of the protagonist. Bazarov, faced with her cold beauty and sharp mind, multiplied by education, is amazed at this combination. Evgeniy sees in her an example of impeccable female beauty and falls recklessly in love. However, for Odintsova herself, the main character of the novel is just a person who can “occupy” her and help her “not get bored.”

Generally speaking, minor characters in classical literature have one generic characteristic: their personality does not evolve over the course of the book. This is exactly the role Turgenev assigned to this heroine.

Biography

We learn about the rather rich biography of this self-sufficient, wealthy 29-year-old widow, defining her as a static character. The development of her character is similar to what happened with Mrs. O'Hara from Margaret Mitchell's novel Gone with the Wind. Fortunately, Anna did not survive the war, but she had plenty of trials. Perhaps this is why the image of Odintsova in the novel “Fathers and Sons” is different from other ladies presented in the book; it dazzles with feminine beauty and cold masculine reason.

When she was a very young girl, she and her sister Katya were orphaned. Anna had to learn early how to manage the management of her estate. She, a daughter who matured early, was also able to pay off her father’s debts. For her younger sister Katya, Anna replaced her parents. However, she raised her without sentimentality.

Appearance and character of Anna Odintsova

The image of Odintsova in the novel “Fathers and Sons” (photos of artistic reproductions confirm this) embodies bright, but unspiritualized female beauty.

Turgenev spares no color in his description of the heroine: the lady is tall, with wonderful posture and the appearance of a socialite, with beautiful, intelligent, light eyes. She knows her worth. In conversation, Anna shows insight and natural intelligence, being interested in her interlocutor and forming an opinion about him.

The image of Odintsova in the novel “Fathers and Sons,” outwardly striking and memorable, is only a beautiful wrapper of her gaping spiritual emptiness. The reader is convinced: she really paid dearly for her current well-being. Her heart will never beat faster from love, she is completely devoid of experiences, her feelings are dulled.

Even such a charismatic personality as Evgeny Bazarov, with his ardent passion and recognition, according to Turgenev’s apt observation, only occupied her a little. To his marriage proposal, the lady only vaguely replied that Eugene had misunderstood her. What was her attitude towards him? This is obvious: although it sounds cynical, Eugene was just another toy for this lady. No more.

Reason and thrift

The image of Odintsova in the novel “Fathers and Sons” is distinguished by thriftiness and efficiency. A brief description of her residence on the estate does not remind us of Oblomovka at all. An intelligent, educated woman is seriously involved in both organization and innovation, for which she subscribes to metropolitan scientific journals.

She loves order, she has the toughness to keep her servants in line. She finds idleness boring.

The novel mentions an episode when a young Swedish nobleman who fell in love with Odintsova offered her his hand and heart. The woman hesitated briefly before announcing her refusal. For Anna, a well-established life is of great importance, that is, an estate that she herself has equipped to suit her needs. This is more expensive for this rich widow than romance and uncertainty, even with certain prospects. In short, she prefers “bird in hand.”

Odintsova and her spiritual vacuum

To some extent, the image of Odintsova in the novel “Fathers and Sons,” a self-sufficient lady, is truly typical in our time. The woman is beautiful, smart, knows how to present herself with dignity...

But she lost something internal, inherent to ladies. The idea lies precisely in a woman’s instinct - to lean on a man’s shoulder, in turn, helping with spiritual warmth. The image of Odintsova in the novel “Fathers and Sons” is completely devoid of this quality. We will introduce quotes from this characterizing Anna Odintsova to the readers of the article, first discussing the logic of her actions based on the psychology of the heroine.

Character Feature

A characteristic feature of the heroine is her preliminary calculation of her upcoming actions and the choice of those that carry a minimum of emotional unrest.

The image of Odintsova in the novel “Fathers and Sons” is characterized by the heroine’s stay in her special individual comfort zone, the main component of which is a spiritual vacuum. If we take into account her education, tenacious logical and economic mind, then an analogy with a robot suggests itself. A person who deliberately deprives himself of feelings (killing the person inside himself), deserves, rather, compassion.

Quote characteristic

Ivan Sergeevich Turgenev, with his characteristic talent, presents readers with the image of Odintsova in the novel “Fathers and Sons.” The table below will introduce the quotation characteristics of this heroine.

Turgenev's irony

And yet the author of the novel is true to himself. He gradually demonstrates his attitude towards the heroine, introducing slight irony into the image of Odintsova in the novel “Fathers and Sons”. In the reduction in the frequency of attention given to this heroine, in the author’s slipping irony when characterizing Anna, this is manifested in a change in the tone of his comments to openly mocking.

Let us remember the episode when Odintsova comes to see the main character, who is sick with typhus. A characteristic detail is how she handed Bazarov a glass of water as he said goodbye to her - without taking off her gloves (although what should she have just washed her hands afterwards?). Doesn't Odintsova's image in the novel Fathers and Sons become similar to "The Man in a Case"? Chekhov's work is most appropriate here for the analogy.

The last time he mentions heroin, the author is also mocking. The ironic hope expressed in the epilogue that, perhaps, love will still awaken in her heart (he first announces her marriage as a matter of convenience) can only make the reader smile.

Conclusion

Turgenev the classic is known in literature for his amazing female characters. Even his favorite type of the fair sex, which is called Turgenev’s girls, is generally known. Among them are Natalya Lasunskaya, Lisa Kalitina. These images are considered one of the most elegant in world literature.

This is not at all how the image of Anna Odintsova appears in the novel Fathers and Sons. For all its beauty, it is empty from the inside, and therefore does not belong to them. This heroine of Turgenev's novel acts as an illustration of a person losing his humanity. However, it is no secret that such ladies do exist. And their nihilism of the soul, unlike Bazarovsky’s, does not at all bear a creative principle.

In the gallery of heroes of I. S. Turgenev’s novel “Fathers and Sons,” female images play an important role. They are catalysts for revealing the characters and feelings of the main characters. One of the central characters of the novel is Anna Sergeevna Odintsova, she was able to breathe love into the soul of Evgeny Bazarov. The image and characterization of Anna Odintsova with quotes in the novel Fathers and Sons given below will help you understand the character traits and motives of this woman’s actions.

Childhood

Left an orphan with her younger sister, Anna Sergeevna invited her elderly and grumpy aunt to live with her. The joyless existence in the village depressed her; sometimes it seemed that her whole life would be spent in the wilderness. One day, Odintsov, their rich neighbor, accidentally saw her. He became interested in Anna and offered to become his wife. Anna Sergeevna did not feel any tender feelings for her husband, there was only gratitude. After the death of her husband, Odintsova inherited a large fortune, freedom and independence.

Odintsova and Bazarov

Anna Sergeevna’s appearance was remarkable; she stood out compared to the other women at the governor’s ball:

“She amazed him with the dignity of her bearing. Her naked arms lay beautifully along her slender figure; light fuchsia branches fell beautifully from shiny hair onto sloping shoulders; calmly and intelligently, precisely calmly, and not thoughtfully, the bright eyes looked from under a slightly overhanging white forehead, and the lips smiled with a barely noticeable smile. Some kind of gentle and soft power wafted from her face.”

When meeting her, Bazarov immediately noted that she was a very interesting “specimen.” Anna Sergeevna had an undoubted interest in the personality of Yevgeny Bazarov, she was interested in communicating with him, arguing and flirting. The insane pressure of Eugene’s passion frightened the woman; she realized that she risked losing the peace and stability to which she was accustomed. This became the decisive factor in the young man’s angry refusal. Odintsova could not experience serious and deep feelings for anyone or anything. Bazarov characterizes her inability to feel:

“You want to love,” interrupted Bazarov, “but you cannot love: that is your misfortune.”

Having learned that Evgeniy is on the verge of death and wants to see her, Anna came to him with the doctor. But she did not find feelings for Bazarov in herself. Nothing that could bring comfort to a dying person

“She was simply frightened with some kind of cold and languid fear; the thought that she would have felt differently if she really loved him instantly flashed in her head.”

Conclusion

At the end of the novel, Odintsova again becomes the wife of an unloved man; she approached the choice of a husband practically. The betrothed was a promising man who guaranteed the realization of her ambitious plans.

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The image of Anna Sergeevna Odintsova in Turgenev’s novel “Fathers and Sons” is very controversial. On the one hand, the reader feels pity and compassion for her, on the other hand, her inability and unwillingness to follow the call of her heart and dreams is discouraging.

Odintsova's appearance

Anna Sergeevna Odintsova has an unusually beautiful appearance. At the time of the story she is 28 years old. Odintsova herself considers this age to be no longer young and therefore classifies herself as an old woman. However, her appearance suggests otherwise. The woman looked young and fresh. Her body was very slender and attractive.” She struck him with the dignity of her bearing. Her naked arms lay beautifully along her slender figure.”

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She was tall, which gave her additional charm. Her facial features were lovely, although her nose was a little thick, which was typical for all Russians, but the rest of her features were perfect. The skin of her face was fair and clear. Her eyes were light in color, something tender and at the same time intelligent was visible in them: “her beautiful eyes shone with attention, but serene attention.” Her hair, on the contrary, was dark. Long hair beautifully framed her face: “hair smoothly combed behind the ears gave a girlish expression to her clean and fresh face.”
Her wardrobe is also distinguished by sophistication and sophistication. Odintsova knows how to wear clothes beautifully - even the simplest outfits look unusual and very beautiful on her.

Anna Sergeevna knows how to captivate a person from the first minutes of acquaintance, her appearance is attractive, according to Bazarov, she can be studied as an anatomical manual. Men are crazy about her, and women are jealous of her.

Biography of Odintsova

Little is known about the childhood of Odintsova, nee Lokteva, and her past. Her parents died long ago. Their mother passed away while they were living in St. Petersburg, and their family was prospering and rich and prosperous. She belonged to an impoverished family of noble aristocrats X... Her father was a good man, but had an addiction to card games, so he soon spent all the family’s savings at the card table, and also died, leaving his two daughters a tiny inheritance. At the time of his death, the eldest, Anna, was 20, and the youngest, Katerina, was 12 years old.

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After the death of her parents, Anna takes on the upbringing of her younger sister and copes with it quite successfully - Katya learns everything necessary in the life of an aristocrat, but her sister’s character traits have a detrimental effect on the girl, she was practically intimidated by her sister and suppressed by her authority.

Odintsova's life was full of difficulties. She had to overcome many difficulties. “She went through fire and water,” they said about her; and the famous provincial wit usually added: “And through copper pipes.”

Odintsova's first marriage

After some time, Anna Sergeevna gets married. Her husband was a certain Odintsov - he was an elderly man, but very rich, and therefore Anna agreed to become his wife. Odintsov, a very rich man of about forty-six.”

Anna did not love her husband, to some extent, he even disgusted her: “She could hardly stand the late Odintsov.” Those around her considered her marriage to be very strange, but Anna herself did not see anything wrong with it and thought that this was a completely normal phenomenon.

After the death of her husband, Anna becomes a rich woman. Although she did not love her husband, after his death she observed all the decency and requirements as a widow: “Anna Sergeevna did not leave the village for about a year after his death; Then I went abroad with my sister.”

Life in the village

After a trip abroad, Anna Sergeevna and her sister return to the village - Nikolskoye - “There she had a magnificent, well-furnished house, a beautiful garden with greenhouses” - and then live in the wilderness and solitude.

Anna does not waste her time spent in the village; she learns how to manage a household and masters the skills of managing an estate, which she had not been able to do before, although her education was exceptional. Also in the village, Anna reads books and studies the Russian language - as a result, she becomes an intelligent and insightful woman, and her knowledge of the Russian language surprises and amazes. Odintsova rarely leaves Nikolskoye - exclusively on business and spends almost all her time in the village.

Personality characteristics

Anna Sergeevna Odintsov has an unusual personality type. First of all, she is distinguished from most female representatives by her indifference and even a certain dislike for secular societies. For Odintsova, such events cause fatigue and, if they are carried out by her, then with a sense of duty and necessity.

Her second distinguishing feature is her exceptional intelligence - Odintsova does not read books because of fashionable trends, memorizing certain fragments of the text in order to seem smarter, but actually studies certain issues and material provided in literature. She understands and is aware of the topic of discussion. “Her mind was inquisitive and indifferent at the same time: her doubts never subsided to the point of forgetfulness and never grew to anxiety.”

Its next distinctive and yet unusual feature is independence. Anna Sergeevna does not strive to please anyone; in some moments she acts like a man, thus defining her place in society.

By temperament she is a calm and balanced person. Anna Sergeevna values, above all, calmness in everything, so she does not strive to change anything in her life - she likes the routine and predictability of her life, but meanwhile, she is one and decisive person - if the situation requires it, she knows how to act clearly and sharply.

Despite her knowledge, Anna Sergeevna is not a talkative person; in society she prefers to remain silent and listen to other people's conversations. She is always kind and friendly towards other people. Those around her have the impression of her as a sweet and charming woman in every sense of the word.

Odintsova's image lacks patience and balance - she is too impatient and cannot do work that requires perseverance.

Anna Sergeevna is a very demanding and persistent woman; she often holds her own opinion and is ready to defend it.

However, this ideal woman is not without flaws. In her case, this manifests itself in a special love for luxury and comfort. It is these two criteria that she values ​​above all else, and they are the key driving forces in her life.

Anna Sergeevna believes that everything should be kept in order - in her house everything happens according to a certain schedule, thanks to such a clear daily routine, her life in the village does not get boring for her.

Exceptional cleanliness reigns in Odintsova’s house; she doesn’t like it when something is in its place or the house is uncleaned: “everything was clean, there was some kind of decent smell everywhere, like in ministerial reception rooms.”

Anna Sergeevna never truly loved anyone; some people evoke in her a feeling of sympathy and even fleeting passion, as, for example, in the case of Yevgeny Bazarov. “Like all women who failed to fall in love, she wanted something without knowing what exactly.”
Deep down, the woman is very unhappy, but does not know how to improve her situation.

Odintsova and Arkady Kirsanov

It would be more correct to say that the relationship between Anna Sergeevna Odintsova and Arkady Kirsanov ended before it began. When Arkady first saw Odintsova, he could not hide his admiration for the young woman - her beauty and intelligence completely captivated the mind and heart of the young man. After their meeting, he dreamed about her all day long, so Arkady took her invitation to Nikolskoye as a holiday - it was a great opportunity to improve relations with Odintsova and, quite possibly, develop them. However, from Odintsova’s side, everything looked in a completely different light - she perfectly understood what feelings Kirsanov was experiencing, but, unfortunately, she did not feel anything other than slight sympathy for him - in her understanding, Arkady was a nice person, capable of maintaining a conversation with her, but in She did not perceive him as a lover.

In Nikolskoye, Arkady becomes more and more aware of this fact and gradually becomes closer to Anna’s sister, Katerina. Katerina turns out to be closer in character and worldview to Arkady - gradually the bitterness of disappointment and rejection is replaced by Arkady's true love for Katerina.

Anna Odintsova and Evgeny Bazarov

While Arkady Kirsanov's thoughts were occupied by Anna Sergeevna, Anna Sergeevna herself was captivated by Kirsanov's friend, Evgeny Bazarov. This pragmatic and somewhat rude man managed to interest a woman; his vision of certain moments in the life of society was so different from the generally accepted one that it was impossible not to pay attention to this man. In addition, Bazarov had a natural charm and charisma, which also appealed to his personality.

In Nikolskoye, Anna Sergeevna begins to get closer and closer to Bazarov, distancing herself from communication with Kirsanov.

Bazarov, accustomed to often being the center of attention, this time feels out of place - he fell in love for the first time, and this feeling forced him to commit actions and mentally belong to only one thing - his love. Bazarov always ridiculed attachment to romantic feelings and love in general, but now he himself found himself hostage to love and this discouraged him even more. Anna Sergeevna, who, in fact, never loved anyone, and like Bazarov, was always guided by her mind and not by feelings, was also in confusion - she felt a craving for this person and passion, but did not dare to succumb to this feeling.

As a result, when their relationship reached an emotional peak, Bazarov decided to take the first step, but Odintsova, who was always wary of changes in her personal life, was in no hurry to reciprocate her lover, as a result, a collapse occurred in their relationship - the relationship, which had reached a dead end, required an urgent solution, but No one was in a hurry to do anything in this direction. Odintsova actually dreamed that this situation would somehow be resolved by itself - Evgeny definitely aroused in her much greater feelings than sympathy, but his position in society did not suit her - a connection with Bazarov would be the cause of an imbalance in her stability and systematic life, and , even, perhaps, would have become the reason for parting with some elements of the comfort of luxury, to which Odintsova was so accustomed, this situation was strengthened by the fact that Bazarov was a simple man.

In the end, their relationship ended - despite the fact that the characters did not want their relationship to end in a conflictual way, they did not have a peaceful and friendly relationship as a result of the breakup.

Odintsova’s life after breaking up with Bazarov

After the relationship between Evgeniy and Anna Sergeevna ended, Odintsova remained in Nikolskoye and the details of how she survived the separation were not known to the reader.

It can be assumed that she was not very worried about the breakup, because, in fact, it was precisely because of her desires and actions that the development of relations with Bazarov became impossible.

Bazarov, having been badly burned, returns to his parents' house - the situation with his love became the reason for the departure of two people from Bazarov's life at once - Odintsova and Kirsanov. While Bazarov worried little about Kirsanov and the discord with him, Odintsova’s personality interested him significantly.

Neither Bazarov nor Odintsova sought a meeting with each other after parting - their meeting was determined by chance - Bazarov was sick and was one step away from death. His last desire was to see Anna Sergeeva and Odintsov, no matter how pragmatic and proud she was - she came to Bazarov. She could no longer help him, but she actually made Bazarov’s last moments easier with her presence.

Bazarov’s death did not have the best effect on Odintsova, but the woman, not spoiled by fate, was soon able to recover from this tragedy and got married. Once again, her husband was not the person she loved; apparently, Odintsova did not become happy in this marriage of convenience.

Thus, Anna Sergeevna Odintsova in Turgenev’s novel is a bearer of cold beauty and intelligence - she does not strive to make other people happy, even her closest ones - since the woman has never experienced happiness and love, she does not know how to give these feelings to other people. Her toughness and rudeness become the reason for the lack of sympathy with her own sister, whom she intimidated and suppressed with her integrity and authority.

Uncertainty in her feelings does not give her the opportunity to become happy in a relationship with Yevgeny Bazarov, a man who had sincere feelings for her. Anna Sergeevna was never able to find happiness - everyone admired her and wanted to be like her, but in fact they did not know how difficult and sad it was to be Anna Odintsova.

The image and characteristics of Anna Sergeevna Odintsova in the novel “Fathers and Sons”: appearance and character in quotes